Showing posts with label Marvin H. Albert. Show all posts
Showing posts with label Marvin H. Albert. Show all posts

Friday, January 1, 2010

Top Ten Novels Reviewed in 2009



1. Bill S. Ballinger, Portrait in Smoke (1950)
2. James M. Cain, Double Indemnity (1936)
3. James McKimmey, The Long Ride (1961)
4. John D. MacDonald, Soft Touch (1958)
5. Gil Brewer, The Brat (1957)
6. Bill S. Ballinger, The Tooth and the Nail (1955)
7. Marvin H. Albert, Devil in Dungarees (1960)
8. W. R. Burnett, High Sierra (1940)
9. Harry Whittington, Hell Can Wait (1960)
10. Paul Tremblay, The Little Sleep (2009)

Wednesday, November 11, 2009

Book Review: Marvin H. Albert, Devil in Dungarees (1960)


Beyond its regrettably dated title, Devil in Dungarees is an excellent PBO. In particular, I was pleasantly surprised by its wandering third-person point of view. The novel begins with its focus on Walt Bonner, a good cop gone bad who is helping a gang of thieves to rob a bank. Having read more than a few books like this, I thought I could see the formula that was coming: Marvin H. Albert would soon show me the cruel events that had led Bonner to this desperate moment, and the narrative would expect me to feel sympathy for him and maybe even root for him. This assumed, however, that the third-person narrative would follow only Bonner. In this, I was wrong. After only a few pages, Bonner temporarily exited the stage, and the novel made its first shift to another third-person POV. Albert had me on my toes, and he kept me there for most of the novel. I do not mean to imply that Devil in Dungarees attempts anything innovative or daring in its narrative structure. Rather, I note that Albert made enough interesting (and sometimes dark) narrative choices to win me over. This one may not be at the top of the genre, but it is well above most of the heap. Grade: A-

Monday, November 2, 2009

Pulp Poem of the Week



She knew how.

Marvin H. Albert
Devil in Dungarees
1960

Sunday, May 10, 2009

Book Review: Marvin H. Albert, The Chiselers (1953)


Detective Jerry Stone has taped evidence that will expose government ties to the mob in the anytown of Murbank, but he is gunned down in his driveway before he can deliver that evidence to the governor's special prosecutor. Soon thereafter, Stone's partner, Morgan Diamond, is beaten almost to death. Why is he left alive? The mob has plans for him--but then again, Diamond also has plans for the mob. Solid, fast-paced Gold Medal fare. Grade: B+

Monday, April 27, 2009

Pulp Poem of the Week


His knuckles hurt,
but the rest of him felt good.
It was strange how much misery
a man could unload
with one hard punch.

Marvin H. Albert
The Chiselers
1953