The second half of Charlie Huston's dedication for The Shotgun Rule points to the subject of his novel: "To the kids who don't know any better. / The ones with the attitude problems. / What the hell are they thinking? / Man, believe me, they aren't. / That's the point. / We never do." In general, subjects who don't think (and idiot teenagers in particular) are a better subject for sociologists than novelists. And if the "point" of Huston's novel were nothing more than the fact that some kids never think, then it would be a waste of time. But even if the four kids at the center of The Shotgun Rule never really do think, they nevertheless achieve enough depth as characters--especially during the novel's extended climax--to make this a richer story than I had expected. Grade: B
Memo to Charlie Huston or his editor or his publisher or anyone in a position to fix a simple problem: Please fix the botched cultural reference on page 128. Face Dances is an album by The Who, not The Rolling Stones.
Memo to Charlie Huston or his editor or his publisher or anyone in a position to fix a simple problem: Please fix the botched cultural reference on page 128. Face Dances is an album by The Who, not The Rolling Stones.
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