Upside: High literary noir. The respectable godfather of such disreputable godchildren as Seymour Shubin's Anyone's My Name and Patricia Highsmith's Strangers on a Train. Downside: Reading Dreiser is like watching a world-class sprinter run the wrong way up the world's fastest escalator. You know that, eventually, he's going to get to the top, but you can't stop wondering why he didn't take the stairs--or, even better, the right escalator. Grade: B
Dreiser is an underrated writer. AN AMERICAN TRAGEDY still has the power to shock the reader.
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