Monday, July 29, 2013
Monday, July 22, 2013
Pulp Poem of the Week
Each of the two men received
two kicks in the guts,
by way of obtaining
temporary silence.
Each received
a kick in the temple,
by way of making the silence
more or less permanent.
Each received
three kicks in the face
as a lasting memento
of the kicking.
Jim Thompson
The Golden Gizmo
1954
Monday, July 15, 2013
Pulp Poem of the Week
I awoke during the night
and she was gone.
Switching on the light,
I looked at my watch.
It was shortly after 3 P.M.
Charles Williams
Man on the Run
1958
Monday, July 8, 2013
Pulp Poem of the Week
the bright light,
the soft sap,
the kick to the kidneys,
the knee to the groin,
the fist to the solar plexus,
the night stick to the base
of the spineRaymond Chandler
The Long Goodbye
1953
Wednesday, July 3, 2013
Book Review: Charles Williams, Man on the Run (1958)
Man on the Run begins
with a man on the run for a crime that he didn’t commit. Russell Foley is his
name, and he has the more-than-good fortune to break into the home of Suzy
Patton, a stranger who is willing to help him. This is absurd even for a novel of
this type, and the book’s ham-handed plotting as Russell and Suzy try to clear
his name only heightens the absurdity. If I had not known that Charles Williams
wrote this book, I would never have guessed it. I expect much, much better from
him. Grade: D
Monday, July 1, 2013
Pulp Poem of the Week
I never knew a man
with a conscience
made a good con man.
And I never knew a conscience
to quit, either.
If anything, it grows on you
like some kind of
Mesopotamian wart.
Gil Brewer
A Devil for O’Shaugnessy
1973